Bird Watching

Kedarnath Wildlife Sanctuary

Kedarnath Wildlife Sanctuary
-Dr.Susan Sharma

Take a peep into the Beautiful Kedar Valley.   It got devastated by the recent floods of June 2013.  It needs Healing.   Here is a call to join an Effort to Rebuild.   A call to all members and visitors of  http://www.indianwildlifeclub.com



The Kedarnath Wildlife Sanctuary is rich in biological diversity. The villagers are fully dependent on forest resources, especially ethno medicines.   The conservation of plant biodiversity in the Indian Himalayan region has become a major concern; the knowledge of indigenous uses of native plants needs to be studied before it gets extinct.  



The rivers and streams of the sanctuary are perennial in nature due to thick forest cover and heavy precipitation. Vegetative cover slows the speed of falling rain and prevents soil erosion and gully formation — the precursors to landslides and floods.  Dense vegetation, by evapo-transpiration, also stops nearly 30-40 per cent of rainwater from falling to the ground, thereby significantly reducing run-off. Besides holding the soil together, forests and soil soak water from the rain, release it slowly and prevent water flowing as run-off.

The sanctuary has a large number of temples located within its precincts. Kedarnath temple is the most historic of these and is visited by a over 6 lacs pilgrims a year during a window of 6 months. This temple dates to the 8th century. The entire 14 km route from Gauri Khund to Kedarnath temple passes through the sanctuary.    The sanctuary has a musk deer breeding centre. Musk deer is valued for its glands , the secretion of which , is used in the perfume industry. Musk deer is highly endangered. There is also a high-altitude botanical field station established at Tungnath.
The sanctuary harbours extensive alpine meadows and several dense broad leaved oak mixed forest. A total of one hundred and fifty two species of ethno medicinal plants have been compiled.  


If you are interested in a more detailed presentation, please click on the link below

http://www.slideshare.net/susansharma/kedarnath-wild-life-sanctuary

All the photographs in this slide show except the one of Mandakini Magpie Bird Watcher’s Camp were taken in 2004, by Shashi Sharma. The photo of the Camp was taken by Mousree Ganguli just two days before the floods ravaged it, in June 2013. 

You can read a trip report on the camp at this link http://www.indianwildlifeclub.com/UserContent/Trip-Report- Details.aspx?rid=544

 Let us make a beginning. Help Mr. Yashpal Negi rebuild the Magpie Birdwatchers camp.

Help rebuild Mandakini Magpie Bird Watchers’ Camp Send money to 
Yashpal Singh Negi
 Kakragad, PO Bhiri, 
Dist. Rudraprayag Uttarakhand 246419, India
 Mobile No. 09412909399
 Bank Acctt. Detail State Bank Of India - Bhiri, Code - 9834,Saving Acctt. No. 11442534733

 Those who contribute more than Rs 1000/- may send in their name, email id , date and amount of credit to susan_sharma@hotmail.com. IndianWildlifeClub .com will send a high resolution copy of ‘ Morning Glory at Kedarnath” (first photograph) to each one of them. 

Bird Watching

Kedarnath Wildlife Sanctuary-an update


Kedarnath Wildlife Sanctuary-An update
-Susan Sharma

IWC presentation on slide share has got over 1400 views as of now and donations have been coming into Yashpal Negi's account.  I have confirmed this in a talk with Mr. Negi.  Mr. Negi and his village in Kakragad do not have Internet facility and communication lines are cut off except for the mobile phone.  Mr Negi plans to rebuild Mandakini Bird camp near his own house in the village which is further removed from the banks of Mandakini River. 

I have also received a report from Santanil Ganguli * who organized a theatre performance in aid of Mandakini Bird Camp.
Here is the report. 

Friday, July 12, 2013, Jhalapala* had organized a small event at Tripti Mitra Theatre Hall, Kolkata to raise fund for the victims of Uttarakhand. Simultaneously this event aimed at bringing awareness among children and elders about the environment and our attitude towards it.


The event started with author and environmentalist Shilanjon Bhattacharya placing his views to the audience. He discussed the changing relation between man and environment very lucidly. He told us how the harm is inflicted in the name of development, right from the Himalays to the Sunderbans. He also pointed out the daily habits that endanger the environment and subsequently our very existence.


The second half of the event featured a play by Jhalapala. Jhalapala is staging plays for children for the last 17 years. This day they chose to stage the DUSHTU BAGH (Naughty Tiger) based on the story of Upendrakishore Ray Chowdhury.  As the play progressed it also became more and more evident how we are continuing to disrupt the natural balance and polluting the environment. With the help of interesting narrative style the play categorically points out to us our selfish attitude towards the environment and its dire consequences.


At the end of the event a sheet was spread on which everyone donated as their means permitted for the victims of Uttarkhand. The organizers promised that after adding personally collected amount to this fund, it will be sent to Mr. Yashpal Singh Negi of Kakorgad, Uttarakhand, so that everyone’s favourite Mandakini Magpie Bird Watcher’s Camp can be restored.  

Help rebuild Mandakini Magpie Bird Watchers’ Camp Send money to 
Yashpal Singh Negi
 Kakragad, PO Bhiri, 
Dist. Rudraprayag Uttarakhand 246419, India
 Mobile No. 09412909399
 Bank Acctt. Detail State Bank Of India - Bhiri, Code - 9834,Saving Acctt. No. 11442534733

 Those who contribute more than Rs 1000/- may send in their name, email id , date and amount of credit to susan_sharma@hotmail.com. IndianWildlifeClub .com will send a high resolution copy of ‘ Morning Glory at Kedarnath” to each one of them. 
*
The Telegraph, Calcutta
Jhalapala, a children’s theatre group from Dum Dum, has blended theatre with the art of patas to add a new dimension to theatre viewing. “Upendrakishore Ray Chowdhury’s works have that strength and simplicity of folk art like patachitras — people from all sections of society can understand and enjoy them,” said director Santanil Ganguly.


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